PRO Vs AMATEUR Design Portfolios (With Examples)



What makes a design portfolio skilled, and the way are they totally different from really newbie portfolios of labor? In todays video we discover the variations in newbie and professional graphic design portfolios, with examples!

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29 thoughts on “PRO Vs AMATEUR Design Portfolios (With Examples)”

  1. Am a product designer and i bump into this. This is Gold. @SatoriGraphics i have been watching and listening to your content, when i was a graphics designers, lol things changed and am a product designer now but funny enough how your content still affect lives and are Gold.

    Reply
  2. i know someone who claims he is a visual designer of 10+ years but does not believe that design is about solving problems and can be used to make beautiful things.
    I didn't even want to argue with this person.. all i know is that its no wonder his designs are so ugly

    Reply
  3. Some of these have animations and some are just super difficult and need lots of programming knowledge. Isnt that kinda off the abilities or the must have of a graphic designer?

    Reply
  4. I'd argue a portion of the industry will go towards more and more specialized creators, but another portion of the industry will favor Generalists as they are far more economical and flexible. Most companies don't have the need for that highly specialized and expensive services these workers provide. That is the sad truth unfortunately. I've worked with many clients and speed and flexibility trumphs quality as they would rather have something of 80% of the quality at 50% of the time it takes to produce it.

    Reply
  5. Just need to interject a thought. Having nearly 3 decades of experience producing a mad myriad of deliverables for a fantastic range of collaborator/clients, which has, in turn provided me with a really robust collection of hardcopy samples. I have found that what works best for me when prepping to present work to a prospect, is to hand pick from my library 10-12 pieces that are within the range of work I anticipate this prospect will be interested in, 2 – 3 pieces that are my personal favorites (and that I have anecdotes to share regarding) and then a couple to 4, items that are really different than the other items I will be showing. I try never to bring more than 20 individual pieces, if possible. Using this process 1) reacquaints me with the library, 2) makes sure I am thinking in terms of what the prospect will want to see and 3) ensures I am not taking excess materials that won't be relevant or, should a client want to see everything, I won't have 4 hours worth of deliverables to explain through. It is important, even starting out, to maintain a perspective that you are evaluating if you wish to work with them, as much as they are doing the same about you. Just my 2 cents…and I claim it to be no more 'true' than any others #opinion.

    Reply
  6. Hey! I know I'm late to the party, but I like your video and is now getting the hang of making a portfolio. May I get the link to the portfolios that you show in this video? And perhaps yours too while I'm at it! The portfolios are quite inspiring after all.

    Reply
  7. @3:45 A UI/UX designer and a graphics designer are two different breads of the same animal!!! …don't be fooled. An adept recruiter would see you as a fake for using classifications you yourself don't fully understand!!!

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  8. While I agree with explaining the why and how in a portfolio, this does not apply for everyone. I know designers with a very good income that target only corporate people and they only have a Behance account with screenshots. Not to mention designers who only work on wedding websites or church etc. So what you say it matters only if one chooses a certain type of clients and not spending a week on a project showcase it doesn't make anyone less professional.
    Oh and "contact form popup" is so 90's, just have an email link, everyone hates contact forms and popups…

    Reply

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